It was a lucky break. Thanks to their collaboration with the lab where I did my master’s thesis (see their most recent publication in PLOS One here) , I was recently invited to visit the world renowned Domaine de la Romanée-Conti (known in the industry as DRC) in Burgundy. This winery, famous for its eponymous Romanée-Conti wine, which comes from grapes grown in the small (1,8140 ha) vineyard (“climat”) of the same name in the village of Vosne-Romanée. This wine is one of the most cherished in the world, and comes with a pricetag that is accordingly extravagant (NPR ran a story just a couple of days ago about a book written about a 2010 plot to blackmail the winery).
DRC courtyard in Vosne-Romanée with its vineyard backdrop.
The history of this famed winery began around the year 900 AD, with the founding of the priory of Saint-Vivant, which acquired the vineyards of Romanée-Conti in 1131. The monastery controlled the vines until 1584, when the land was purchased by Claude Cousin, the first in a long line of family-owners of this property (only 2 different families in 430 years), which continues today with Aubert de Villaine, and his nephew, Bertrand, our guide this morning, incredibly generous with both his knowledge and his wine.
Bertrand de Villaine explains how the Corton is blended from three different parcels.
He led us into their recently expanded cellars, where he led us through a barrel tasting of the 2013 red wines from each of their 7 red appellations : Corton, Echézeaux, Grands-Echézeaux, Romanée-St-Vivant, Richebourg, La Tâche and Romanée-Conti. Each of them were phenomenal, still very young, of course (some just finishing or having just finished malolactic fermentation), but a wine cannot age well if it doesn’t begin with all of the fundamentals in place. This was a concept that I knew well, but did not understand on a visceral level until I tasted these wines. Each one different from the others, they were all unique and fabulous in their own way, each characterized by its particular magnificent balance. Bertrand explained that they assure this balance by waiting until the grapes are perfectly ripe before harvesting. Their neighbors might be out harvesting a few days, even a few weeks before this moment of perfection for fear of losing yield due to an upcoming rainstorm, for instance, but DRC will wait, no matter what. Of course with the prices of their wines, they are in a better position to take this risk than many producers, but it is a major risk none the less and results in a relatively high variability in the quantity of wine that they produce, but with an incredible consistency in the quality, which is, without fail, exceptional.
Barrel of 2013 Romanée-Conti
Each of the 7 wines had its particular personality, all of them like someone you hit it off with right off the bat. But it is true that the Romanée-Conti is the one you fall in love with at first sight. Not in a stunningly-gorgeous-knock-your-socks-off-from-across-the-room kind of way (though maybe with a few years of maturity she becomes so), but in a far more subtle, delicate way. Such that your first sip seems so incredibly satisfying, but then trails off leaving hints of so much more to be discovered, and so you find yourself chasing her, praying, begging for her to reveal just a bit more. And she keeps tempting you in this way until your glass is empty, but you are not angry that she’s gone, but rather you have never felt more content in your life.
Bottle storage of 2011 Romanée-Conti and La Tâche
In the bottle cellar we were introduced to another incredible beauty, this one a blond. Bertrand served us a 2007 Bâtard-Montrachet chardonnay, the only wine they make that is not sold (they do sell one white wine, a Montrachet), as they produce only 1-2 barrels (300-600 bottles) each year that are used exclusively for private tastings, special events, and the family’s personal consumption. It was glorious. I will not even attempt to describe this wine because words will not do it proper justice. I must simply counsel you to pray to someday have the chance to encounter such a bottle, as I have done thanks to the generosity and scientific curiosity of Aubert and Bertrand de Villaine.
I took 5 pages of notes during the visit, wanting to absorb everything that Bertrand told us, not miss a single detail. But I know, and I knew as I was doing so, that there is no secret recipe. I could tell you that they use 100% new, untoasted oak barrels. I could tell you that for the Romanée-Conti and a part of Richebourg and Montrachet they use a plow horse, named Mickey, to work in the vines. And that alternatively, they have a custom-built tractor that is the weight of a horse in order to avoid undo pressure on the soil and root systems. You could probably replicate their work exactly, but I fear that it would be in vain. There is something special, magical about this place. This is the indefinable in the world of wine. The sum that is greater than its parts*. There is an element here that no one can explain it, and I hope that no one tries. Sometimes we just need to let ourselves be captivated.
Barrel cellar at DRC
*Yes, for the record, because I am sure that you are wondering, for me personally the prices paid for these bottles far exceed even the whole that exceeds the sum of the parts, but such is a luxury economy, and we must just be happy to embrace the rare opportunity to savor these wines in another context that does not involve thousands and thousands of dollars of expense, as I was so lucky to do here.